Posts Tagged ‘Death Angel’

Death Angel will be joining thrash titans Anthrax and Testament, who haven’t toured together in more than a decade. All bands are set to hit the U.S. beginning Friday, October 14. Get more news and quotes from the bands here. The coast-to-coast trek will figure to decimate more than two dozen cities over a five-week period, with both Anthrax and Death Angel debuting brand new material from their new albums.
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“River Of Rapture”, the latest music video from Bay San Francisco metal veterans DEATH ANGEL, can be viewed below. The footage was shot and edited by director Tommy Jones during the band’s summer 2010 tour with SOILWORK.
DEATH ANGEL’s latest album, “Relentless Retribution”, sold 2,700 copies in the United States in its first week of release. The CD landed at position No. 10 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200. The band’s previous album, “Killing Season”, opened with around 2,300 units back in March 2008. This number was in line with the performance of its predecessor, “The Art of Dying”, which registered a first-week sales tally of around 2,100 back in May 2004.
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Sound: The latest Death Angel album with a re-vamped line up, a new bassist and drummer Damien Sissom and Will Carrol respectively, is a bit of a mixed bag. Death Angel have put out some solid albums in the past and in my opinion 2008s’ Killing Season was one of their strongest efforts to date. Relentless Retribution is of the same formula but lacks the same urgency and power that Killing Season had, and I put that down to lack luster Drum work and at times average riffing. But saying that Relentless Retribution does have it’s charms, the acoustic outro to Claws In So Deep is a stunning piece of guitar work from Mexican guitar duo Rodrigo Y Gabriella. And the little bits of flare from bassist Damien Sissom and a stellar vocal performance from Mark Osegueda are saving graces here.
Lyrics and Singing: Political themes are abundant here. Aggressive lyrics couple with the harsh vocals of Mark Osegueda give this album an edge which is effective in conveying their feelings of betrayal and anger at higher powers who have taken advantage of their positions. Occasionally Rob Cavestany jumps up and tries his hand at lead vocals too and while its a good effort and the songs where he sings are good, and his performance is better than I would have expected, I fell his style just doesn’t suit except on Volcanic which is a great track but kills the flow completely and just doesn’t seem to fit in the album. The vocals sometimes can seem a bit far back in the mix though and this album definitely needed them to be further out to give it more bite. The vocals here are my favorite part of this album, they redeem it in my eyes.
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