Panic! At The Disco recently performed a live cover of Adele’s hit, “Rolling In The Deep”. Check out a video of the performance below.

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When Ozzy Osbourne was first approached to write an advice column for London’s Sunday Times Magazine several years ago, the rationale behind it was that the “Prince of Darkness” has not only lived through it all, but he’s since changed his ways. He’s the ultimate weird dad, but a family man nonetheless, and his attempts to stay clean and shape up have proven fruitful.

“People ask me all kinds of strange things, and if I can’t answer, I’ll say, ‘How can you write to me and it goes in this newspaper and millions of people will probably read your problem?’” he tells Billboard.com. “You say you’ve got a hemorrhoid or some shit? Go to the doctor! I don’t know the actual physical breakdown of the way it all works. I don’t say, ‘Well, go and buy five aspirins and a fucking jar of jam, and rub it on your ass.’”

“Doing the column makes me realize that there are just as many crazy people around as me,” Ozzy admits, before launching into a mumbled tirade over some of the more frustrating questions he’s received — from disapproving parents of a homosexual teen to sexual encounters of the senior citizen kind.

To read the complete review visit BILLBOARD.

It took a full decade, but ’90s alternative rock outfit Bush have come back down from the clouds.

Fronted by lead singer/rhythm guitarist Gavin Rossdale, the band, best known for radio staples like “Comedown” and “Machinehead,” return September 13 with their fifth full-length release, The Sea of Memories.

When it came to reforming Bush, “It was like, ‘Why am I fighting this?’” said Rossdale, who’s joined by original drummer Robin Goodridge, former touring guitarist Chris Traynor and new bassist Corey Britz on the upcoming LP, the band’s first since disbanding after 2001’s Golden State.

Even during Bush’s downtime, however, Rossdale and Traynor couldn’t escape each other; the two played together in post-Bush project Institute, and Traynor contributed to Rossdale’s 2008 solo album.

“We have the ability to go in a lot of different directions together,” said Traynor, who’s also enjoyed stints with popular post-hardcore groups Helmet and Orange 9mm.

The pair of guitarists recently talked with Guitar World about reviving Bush, their musical relationship and the Bob Rock-produced The Sea of Memories.

To read the complete interview visit GUITAR WORLD

This December Chevelle will be unleashing their sixth yet-to-be titled sixth studio album.

Produced by Joe Barresi (Queens of the Stone Age, Coheed and Cambria), the record promises to deliver the brooding, metal-tinged brand of hard rock the Illinois power-trio has built their reputation on.

Noisecreep has the exclusive world premiere of ‘Face to the Floor,’ the first single from Chevelle’s forthcoming album. The song’s instantly memorable guitar riff and snaking rhythms makes it an essential addition to the band’s already stellar discography. Check out the track below and hear for yourself.

Click here to hear the single ‘Face to the Floor’

The crowds at the Nineties reunion party keep growing. (Hey, Sponge, we’re saving you a chair next to Seven Mary Three!) But who expected Bush to show up in such buff shape? These guys were always underrated - and their name was one of history’s worst bad-timing moves. But the quartet’s first record in a decade is a surprisingly vital viva-la-grunge manifesto. Gavin Rossdale sounds about a thousand times perkier than he did on his 2008 Auto-Tune quagmire, Wanderlust, growling chest-beaters like “All My Life” as if he’s got something to prove. And judging by “She’s a Stallion,” Gwen Stefani should be proud.

To read the complete review visit ROLLING STONE

“Are you ready for a long fucking night?” Dave Grohl sneered, just four songs into what would unspool into a massive two-and-a-half hour set in St. Paul, MN, Wednesday night as Foo Fighters kicked off their 27-date North American to

Grohl has plenty of material to choose from at this point in his career, so rather than trading in any of his band’s greatest hits to feature material off their latest studio album, Wasting Light, he did what any self-respecting, spotlight-loving rock star would do: He simply made his band play longer. Much, much longer. Over the course of the night they managed to feature 8 of the 11 tracks off Wasting Light without axing a single hit off the setlist, nestling new singles like “Rope” and “Walk” between familiar favorites like “Learn to Fly,” “Monkey Wrench,” and an especially grandiose, uplifting version of “My Hero.”

But this was all to be expected. Now nearly two decades into their career, Foo Fighters are experts at drawing in new fans while staying true to their origins and honoring their fanatics. They’ve gleaned the most sustainable elements of the grunge and hardcore punk aesthetic — the straightforward presentation, the unrelenting commitment to authenticity — and married those ideals with a self-aware, populist approach. It’s a balance that has earned them an uncontroversial kind of fame, and it’s a balance that makes for a hell of a live show.

To read the complete article visit SPIN